Professional Series
Billboard
art for the CA Citrus Growers Association
(8x10 format transparency — Ciba 16x20 print
for display)
Liá Fabbri — Partial tear sheet from one of my Rimmel Cosmetics Ads (Italy)
Arica
Reinhardt — test shots for an Italian makup ad layout
(Kodachrome transparency — low
rez contact scan, enlarged 4x)
Arica
Reinhardt
Me, applying the "paint" for an Italian cosmetics
ad layout
(8x10 B&W print — taken
by Lennie Evans)
Arica
Reinhardt — concept shots for her modeling agency
(low rez contact scan of Ektachrome transparency — 17mm
Nikkor lens)
Arica
Reinhardt — concept shots for her modeling agency
(low rez contact scan of Ektachrome transparency — 28mm
Nikkor PC lens)
| Arica was a terrific model as well as a very close friend. Always willing to go the extra mile for a great shot, she always inspired me to look at the entire art of photography from a different perspective. I was very lucky to meet her. |
"Sometimes they shoot back..."
|
Contact proofs of Susan and Holly's photo shoot. While some photographers dislike showing their proof sheets, I don't mind it at all. You can learn a lot about a photographer's style by viewing his or her contact sheets. It also serves to dispel the myth that professional photographers take a lot of shots at a photo session so they can get one or two good ones. We usually take a lot of photos so we will have lots of good shots to show to the client. You can view several of my contact proof sheets on this site to give you an idea of how I shoot a photo assignment, including some of my many shooting techniques. |
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